Contact
José “Peppie” Calvar, Chair, Department of Applied Music and Performance
302 Crouse College, 315-443-4106, jcalvar@syr.edu
Faculty
Voice: Janet Brown, Julia Ebner, Eric Johnson, Kathleen Roland-Silverstein, Julianna Sabol, Martha Sutter
Piano: Jun Cho, Scott Cuellar, Ida Tili-Trebicka
Organ: Anne Laver
Strings: William Knuth - Violin/Viola, Gregory Wood - Cello, Spencer Phillips - String Bass, Kenneth Meyer - Guitar, Jessica Wilbee - Harp
Winds and Percussion: Dana DiGennaro - Flute, Mickenna Keller - Oboe, Jill Coggiola - Clarinet, Anne Kunkle - Saxophone, TBD - Bassoon, TBD - Horn, John Raschella - Trumpet, Benjamin Dettelback - Trombone, Michael Coldren - Euphonium/Tuba, Michael W. Bull - Percussion
Description
The performance program stresses the development of technical skills, repertory, poise, and overall musicianship. Since most performers continue study beyond the bachelor’s degree, the program also provides a sound basis for advanced study. To reflect preparation for upper-division recital(s), upper-division credits in the principal performance area increase from 2 to 4 credits per hour of instruction.
Program Requirements
Course List Code | Title | Credits |
| 24 |
| 4 |
| |
MTC 145 | Theory and Musicianship I | 3 |
MTC 146 | Theory and Musicianship II | 3 |
MTC 147 | Ear Training I | 1 |
MTC 148 | Ear Training II | 1 |
MTC 245 | Theory and Musicianship III | 3 |
MTC 246 | Theory and Musicianship IV | 3 |
MTC 247 | Ear Training III | 1 |
MTC 248 | Ear Training IV | 1 |
MTC 545 | Counterpoint | 3 |
MTC 546 | Analysis of Contemporary Music | 3 |
MHL 185 | Introduction to World Music | 3 |
MHL 267 | European Music before 1800 | 3 |
MHL 268 | European and American Music Since 1800 | 3 |
| 3 |
MHL 566 | Topics in Music Literature and Analysis | 3 |
or MTC 566 | Topics in Music Literature and Analysis |
| 8 |
| 4 |
| 0 |
| 5-9 |
| Diction in Singing | |
| Diction in Singing | |
| Organ Literature | |
| History of Wind Ensemble Literature | |
| Survey of Keyboard Literature: 1650 to 1850 | |
| Survey of Keyboard Literature: 1850 to Present | |
| Orchestral Repertoire: 1600-1800 | |
| Advanced Orchestral Repertoire | |
| Vocal Literature I | |
| Teaching of Brass Instruments | |
| Teaching of Woodwind Instruments I | |
| Teaching of Woodwind Instruments II | |
| Teaching of Percussion Instruments | |
| Vocal Pedagogy | |
| Piano Pedagogy | |
| Workshop in Teaching of Strings | |
| 5-9 |
| Music Industry Marketing and Media | |
| Syracuse University Recordings | |
| Music Industry Law and Ethics | |
| |
WRT 105 | Studio 1: Practices of Academic Writing | 3 |
WRT 205 | Studio 2: Critical Research and Writing | 3 |
| 4 |
| 6 |
| 6 |
| 3 |
FYS 101 | First Year Seminar | 1 |
| 7 |
| |
| |
Total Credits | 120-128 |
Degree Awarded: BM Performance
Undergraduate University Requirements
The following requirements and experiences apply to all Syracuse University Undergraduate matriculated degree programs.