Exploration of a topic (to be determined) not covered by the standard curriculum but of interest to faculty and students in a particular semester.

Offered through SUAbroad by educational institution outside the United States. Student registers for the course at the foreign institution and is graded according to that institution's practice. SUAbroad works with the SU academic department to assign the appropriate course level, title, and grade for the student's transcript.

Exploration of a topic (to be determined) not covered by the standard curriculum but of interest to faculty and students in a particular semester.

Fundamental concepts for techniques of painting and drawing. Open to non-art students only. May not be used for credit toward B.F.A. except by petition to Department of Studio Arts.

Human figure as subject and tool for drawing ideas. Figure composition, historical significance, drawing media.

Human figure as subject and tool for drawing ideas. Figure composition, historical significance, drawing media.

Participation in a discipline or subject related experience. Student must be evaluated by written or oral reports or an examination. Permission in advance with the consent of the department chairperson, instructor, and dean. Limited to those in good academic standing.

Offered through SUAbroad by educational institution outside the United States. Student registers for the course at the foreign institution and is graded according to that institution's practice. SUAbroad works with the S.U. academic department to assign the appropriate course level, title, and grade for the student's transcript.

Figurative and nonfigurative painting in oils or acrylics as the basis for study of color and form. Materials and approaches.

Nude and costumed figure study, portrait painting. Painting media.

Nude and costumed figure study, portrait painting. Painting media.

Organization of pictorial ideas and form. Use of various painting media. Color, its perception, function, and application.

Exploration of a problem, or problems, in depth. Individual independent study upon a plan submitted by the student. Admission by consent of supervising instructor(s) and the department.

Exploration of a topic (to be determined) not covered by the standard curriculum but of interest to faculty and students in a particular semester.

The skeleton, construction of the human body, and interpretation in drawing.

The skeleton, construction of the human body, and interpretation in drawing.

Continuing development of critical awareness through exploration of ideas and media. Components of pictorial structure and expression.

Continuing development of critical awareness through exploration of ideas and media. Components of pictorial structure and expression.

Forms in nature and research in the design of natural forms.

Forms in nature and research in the design of natural forms.

Offered through SUAbroad by educational institution outside the United States. Student registers for the course at the foreign institution and is graded according to that institution's practice. SUAbroad works with the S.U. academic department to assign the appropriate course level, title, and grade for the student's transcript.

Continuation of PTG 281,282. Problems in pictorial organization in oil, acrylics, and related materials. Historical and personal understanding of pictorial intention.

Continuation of PTG 281,282. Problems in pictorial organization in oil, acrylics, and related materials. Historical and personal understanding of pictorial intention.

Pigments, grounds, media, and methods of painting. Lectures and laboratory.

Still life, interior, and landscape painting in watercolor.

Still life, interior, and landscape painting in watercolor.

Exploration of a problem, or problems, in depth. Individual independent study upon a plan submitted by the student. Admission by consent of supervising instructor(s) and the department.

Exploration of a topic (to be determined) not covered by the standard curriculum but of interest to faculty and students in a particular semester.

Historical awareness. Relation of drawing to major areas of study. Philosophical development in the use of personal imagery and techniques.

Participation in a discipline or subject related experience. Student must be evaluated by written or oral reports or an examination. Permission in advance with the consent of the department chairperson, instructor, and dean. Limited to those in good academic standing.

Offered through SUAbroad by educational institution outside the United States. Student registers for the course at the foreign institution and is graded according to that institution's practice. SUAbroad works with the S.U. academic department to assign the appropriate course level, title, and grade for the student's transcript.

Continued studio development of ideas objectives, self-critical attitude, and approach to painting.

Continued studio development of ideas objectives, self-critical attitude, and approach to painting.

Independent research.

Outdoor painting in oil. Composition problems.

Exploration of a problem, or problems, in depth. Individual independent study upon a plan submitted by the student. Admission by consent of supervising instructor(s) and the department.

Completion of an Honors Capstone Project under the supervision of a faculty member.

Exploration of a topic (to be determined) not covered by the standard curriculum but of interest to faculty and students in a particular semester.

Fundamental concepts and techniques of painting and drawing.

Fundamental concepts and techniques of painting and drawing.

Drawing as an expression and creative art form.

Offered through SUAbroad by educational institution outside the United States. Student registers for the course at the foreign institution and is graded according to that institution's practice. SUAbroad works with the S.U. academic department to assign the appropriate course level, title, and grade for the student's transcript.

Advanced research.

Advanced study in use of studio materials and techniques used by painters; pigments, binders, for oil paint, acrylics, polymer resins, casein, pastels, water color, egg tempera, fresco. Independent research problems are assigned.

Exploration of a problem, or problems, in depth. Individual independent study upon a plan submitted by the student. Admission by consent of supervising instructor(s) and the department.